Some Poetic Calls to the Gods and Others

In an Asatru blót, blessing, or faining, it is usual to include calls to the gods, goddesses, or other wights being honored. I’ve written quite a number of these as two-stanza calls in ljóðaháttr. Where possible, the calls will make use of the available lore on their subject. Today I’m presenting calls to Óðinn, Freyja, Bragi, the Dwarves, and the Landvættir.

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A Selection of Poetic Hallowings

This week, I have a some poetic hallowings to share. Unlike other types of poetry that I write, the reciting of the hallowings is specifically meant to be accompanied by actions for a specific purpose: the hallowing of what is ordinarily profane space in preparation for Asatru ritual. In the case of the hammer hallowing which is the first example, one would usually make the sign of the hammer (most simply, an upside-down “T” shape) in the direction indicated in the stanza while one is reciting that stanza. This can be done with one’s hand or fist, whether empty or holding an actual hammer. As is typical for a hammer hallowing, mine includes the four cardinal directions, plus above and below.

However, one can hallow with something other than the hammer. In writing other sorts of hallowings, one can make use of the lore to create hallowings that are more connected to Asatru than generic hallowings might be, making them more effective in my opinion. These might include hallowing with fire & ice, with dwarves, with water, or with the power of poetry itself — and I have an example of each.

But before I get to the more creative hallowings, here is a version of the hammer hallowing in ljóðaháttr that specifically calls on the power of Thor’s hammer.

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On the Different Kinds of Poetry I Write

Last week, I posted the first drápa on this blog. Now seems as good a time as any for some commentary on the different sorts of poems I have been posting and will be posting on this blog. These can be distinguished by their type and purpose.

You may find it helpful to read my earlier post on the meters I use, either before or after reading this one.

First, the distinction of type, which is between drápa and flokkr.

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In Praise of Wintertime

Here is a poem in honor of Wintertime. Its meter is fornyrðislag, but the type of poem is known as a drápa, which is a praise poem with one or more refrains. (In a future post, I will say more about drápur and the different types of poems that I’ve been writing.)

The poem is called “Vetrartímadrápa.” (The name is in Old Norse and simply means “Wintertime drápa.”)

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